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Design methods2–Project 2 (Concept Models)

シドニーでインテリアデザインを学ぶ

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◆【虹織りアートを創作中/Creation Process】◆
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PROCESS1–PRODUCING AS MANY AS DRAFT IDEAS:

CONCEPTUAL SPACE–A

CONCEPTUAL SPACE–B

CONCEPTUAL SPACE–C

PROCESS 2–CHOOSE 3 MODELS OUT OF MANY DRAFT IDEAS:
CONCEPTUAL SPACE–A

CONCEPTUAL SPACE–B

CONCEPTUAL SPACE–C

PROCESS 3–ILLUSTRATE HOW THE 3 DESIGN EXAMPLES COULD BE TRANSLATED INTO EACH OF THE 3 SPACES (i.e., min of 9 different design concepts are illustrated):

CONCEPTUAL SPACE A in SPACE 1

CONCEPTUAL SPACE B in SPACE 1

CONCEPTUAL SPACE C in SPACE 1

CONCEPTUAL SPACE A in SPACE 2

CONCEPTUAL SPACE B in SPACE 2

CONCEPTUAL SPACE C in SPACE 2

CONCEPTUAL SPACE A in SPACE 3








CONCEPTUAL SPACE B in SPACE 3








CONCEPTUAL SPACE C in SPACE 3





BRIEF
Analyse the spatial qualities of the 3 given design examples.  Consider the following:



  • Design elements and principles
  • Spatial arrangements
  • Spatial hierarchy
  • Spatial manipulation
  • Arrangement of interior design elements
  • Use sketches to do the analysisput these in your sketchbook /visual diary.
  • The design challenge is to reinterpret the design examples into the irregular spaces represented by the 3
    floor plans.
  • You are not to simply transpose the interior design elements from the examples into the new spaces.
    Rather you are to determine
    howthe space has been organized/manipulated according to design
    principles and then
    reinterpretthis into a new and creative space that isconceptualin nature ie doesn’t
    necessarily have a function or use. You may use as many or as little of the interior elements, translating
    them into a different shape, size or translucency. Your conceptual spaces will not be a copy of the
    original examples – but must achieve the same
    spatialqualities
  • The floor plans are 1:100 scale. The ceiling height can vary but 3 metres is standard. You may cut into
    the walls to create new openings, but not totally remove. Imagine a space where people can move
    around such as an installation in an art gallery.
  • Note: You are to use your sketchbook throughout design methodology to sketch ideas, record feedback,
    add inspirational images, relevant examples and comments. This will be included as part of your
    assessment for design methodologies and the design process. 



FINAL PRESENTATION
Produce:

  • Adetailedmodel scale 1:50 (or as appropriate)indicating materials and finishes
  • Rendered plans and elevations/sections 1:50 or as appropriate
  • An informative rendered perspective including figures to suggest scale, finishes, materials and lighting both natural and artificial effects
  • Sketchbook
  • Present on coordinated A2 boards with a prepared verbal presentation.
    Note: Completed student self evaluation form (attached) 



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▶︎世界に一つだけの『あなた色』の虹織りアートスカーフをカスタムオーダーしませんか?
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◆【しあわせをよぶ虹織りアートの魔法】◆

虹織りアート作品には厄除け&お守り効果がある!と、たくさんのお客さまから感動の声をいただいています!

・タテ糸にチャクラ色(虹色)を織りいれて創作。チャクラ色の波動が身体バランスを整える。

・昔から『七色のものを身につけると災厄を防ぎ、幸運を招く』と言われます。風水や四柱推命でも『厄年の時など、厄がつきやすい時には虹色のものを家に置くと良い』と言われます。虹色の不思議な効果をまとめました▶︎▶︎

・高品質でお肌に優しい天然素材の糸で創作。

・厄除け・しあわせをよぶ虹織り作品を身につけて、豊かに幸せに生きましょう。

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シドニーでインテリアデザインを学ぶ
虹織りアーティスト 陽子

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